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    电影 一曲相思未了情[电影解说]

    一曲相思未了情[电影解说]

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    • 片名:一曲相思未了情[电影解说]
    • 状态:电影解说
    • 主演:德克·博加德/卡普西尼/吉内瓦维·佩吉/
    • 导演:查尔斯·维多/乔治·库克/
    • 年份:1960
    • 地区:美国
    • 类型:电影解说/
    • 时长:内详
    • 上映:未知
    • 语言:内详
    • 更新:2025-03-03 15:40
    • 简介:In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
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    剧情简介

          《一曲相思未了情[电影解说]》是1960年美国地区上映的一部热门其他作品,由查尔斯·维多,乔治·库克导演执导,德克·博加德,卡普西尼,吉内瓦维·佩吉等明星演员参演的电影 作品,目前更新状态为:电影解说,已经获得12位观众老爷的青睐。《一曲相思未了情[电影解说]》主要讲述了: In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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